All work

Case 06 / Studio

The Hive Atelier

A twelve-poster editorial series for the studio’s own channels, written and designed to show how the studio thinks before it shows what it makes. Black and white throughout, with one object in each poster doing the work of an idea.

Client
The Hive Atelier, own studio
Channel
Instagram, in English
Year
2026
Role
Creative direction, copy, typography and design
Format
Four series of three posters

01 / Same look

Why does everything look the same?

The first series questions the sameness that comes from working with the same references, the same tools and the same prompts. A white telephone handset carries the idea across all three posters, from a single call to three identical receivers to a cord that ties the repetition together.

Poster: Tell me white. A white handset rests on a large black letter W. Poster: Why does everything look the same? Three handsets hang through the word same. Poster: Same references. Same prompts. Same look. A coiled cord runs through the words.

02 / Before the design

Intention is not always perception.

The second series uses a man in a suit and a mirror to talk about the gap between what a brand means and what people see. He steps onto the word mirror, faces it, and in the last poster the mirror holds only the word perception.

Poster: Brand in the mirror. A man steps from the word brand onto the word mirror. Poster: Before the design, there is something to understand. Poster: Intention is not always perception, with perception framed in a gold mirror.

03 / Look closer

Look before you design.

The third series is about observation. A pair of brass opera glasses magnifies the word noticed and becomes the double O in look, and the series ends with a keyhole that reveals an eye watching from inside the word there.

Poster: The first decision is not what to create. It is what deserves to be noticed. Poster: Look before you design, with opera glasses forming the O's in look. Poster: The idea was already there. The difference was seeing it. An owl's eye behind a keyhole.

04 / Read wrong

A brand can look right and still be read wrong.

The last series moves from seeing to reading. An old cloth-bound book carries the first two posters, with a turning page that splits right from wrong, and a monocle closes the set by bringing only part of the word understanding into focus.

Poster: Don't read me wrong, set on an old book cover. Poster: A brand can look right and still be read wrong, across an open book with a turning page. Poster: Beauty is not the same as understanding, with a monocle over the word understanding.